Pilots have their names painted just beneath the canopy of their aircraft. This gives the pilot a sense of ownership for his or her jet. What's more, like cars, each aircraft has its own personality, so it's important for a pilot to get to know and love his aircraft.
It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
I've had a lifelong love affair with makeup. When I was a little girl, I used to take my mother's makeup and paint all of my dolls' faces, and I even painted the dog's face!
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies. See, I always suspect characters who are painted as lovely, decent human beings. I would always question where the darkness lies.
A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.
Why must art be static? You look at an abstraction, sculptured or painted, an entirely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.
Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
I'm a painter. I was a graffiti artist, and I painted all over the world.
A catcher must want to catch. He must make up his mind that it isn't the terrible job it is painted, and that he isn't going to say every day, 'Why, oh why with so many other positions in baseball did I take up this one.'